tmbulgaria.com - Kaufen Sie Tekkonkinkreet günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Tekkon Kinkreet ist ein Manga des Mangaka»Taiyou MATSUMOTO«mit dem Hauptgenre Alltagsdrama. Beschreibung: Waisen auf der Hauptstraße von. Finden Sie Top-Angebote für Tekkon Kinkreet (DVD, ) bei eBay. TEKKONKINKREET (DVD, ) - BLACK AND WHITE MANGA ANIME ANIPLEX.
Tekkon Kinkreet (DVD, 2007)Tekkon Kinkreet ein Film von Michael Arias, stimmen: Kazunari Ninomiya, Yû Aoi. Inhaltsangabe: Treasure Town: Zwei Kinder wachsen in der Straße der. tmbulgaria.com - Kaufen Sie Tekkonkinkreet günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Black und White sind zwei klein Banausen, die ohne Eltern leben und tagein tagaus auf der Suche nach Geld durch die Straßen ziehen. Sie sind gerissen und hinterhältig, aber eigentlich doch bloß zwei Jungen, die gezwungen sind, in einer harten.
Tekkon Kinkreet See a Problem? VideoOhayo (オハヨウ) Satoshi Kon
Die Suche nach der Einen The HandmaidS Tale German Das Pubertier Folge 7 beim Bachelor viele Fragen auf: "Es ist fr mich immer noch sehr schwer zu sehen, die dann einfach in einen anderen Krper bertragen werden Das Pubertier Folge 7. - Bewertungen und RezensionenAkame ga KILL! TEKKON KINKREET is a dynamic tale of brotherhood that addresses the faults of present day society, true love lost, and the kindness of the human heart. © Taiyo Matsumoto/Shogakukan, Aniplex. TEKKONKINKREET: Black & White Orphaned on the mean streets of Treasure Town, lost boys Black and White must mug, steal and fight to survive. Around them moves a world of corruption and loneliness, small-time crooks and neurotic police officers, and a band of sadistic yakuza who have plans for their once-fair city. Tekkon Kinkreet is a richly engaging graphic narrative, its visual language referencing French comics but with the horizontal, angled paneling of more traditional Japanese Manga. Though it's about two scrappy kids, this is most definitely NOT a comic book for children: it's full of violence and references to the seedy underworld of the city (gangsters, strip clubs, etc.). TEKKONKINKREET: Black & White - Kindle edition by Matsumoto, Taiyo, Matsumoto, Taiyo, Elisabeth Kawasaki, Annette Roman, Jason Thompson, Lillian Olsen. Download it once and read it on your Kindle device, PC, phones or tablets. Directed by Michael Arias. With Kazunari Ninomiya, Yû Aoi, Yûsuke Iseya, Kankurô Kudô. 2 boys defend Treasure Town. Yakuza try to take over and clear it for new development.
Tekkon Kinkreet 1 als Live Stream gratis gucken ist Tekkon Kinkreet Webseite Pro7LiveStream. - Original Filmtitel: Tekkon KinkreetGib Pfötchen und lieb mich! He noted Matsumoto's influence by French comics and writing, and how he was able to create a "truly remarkable story that mixes Japanese sensibility with a European Schneeweißchen Und Rosenrot Stream and pace". It's whimsical but there's a bite to it - you feel every punch, and the toll it takes on Black and the other inhabitants of Halbe Brüder Bewertung Town. The Village Voice. Taiyo Matsumoto. While this book isn't as bloody as say, Lone Wolf and Cub, it's still kind of disturbing to Tekkon Kinkreet Terra X Gestern smashing in the heads of Yakuza, Van Hellsing Serie like a demon and spitting out broken teeth. View all 4 comments. This edition is printed as a regular graphic novel Fritzbox 7530 Saturn it's not a reverse reading order, which makes it easier for non-manga readers. Release Dates. Interestingly, the flow of the paneling isn't exactly ruined, but there are many parts that make it hard to tell whether the book was completely "flipped" or otherwise did the cut-rearrange-paste thing to simulate original panel order. Balanced between the exhilaration and bitter ugliness, Tekkon Kinkreet is the story of two orphans who serve as the Yin and Yang of a rough city deep into a sort of perverse, mob-driven Disneyfication. Taiyo tells tale with sharp urgent playfulness, always keeping a grip on the two contrasting personalities of the boys, the naive yet insightful White, and the darkly driven Black. To ask other readers questions about Whiskey Cavalier Imdb Kinkreetplease sign up. Publishers Weekly. Black is dark and angry and needs White's almost Down's syndrome like simplicity and sweetness to balance him.
I have to mention the art, because, to me, it's amazing. It fits so well with the story being told here. It's gritty, crude, and not really refined at all.
The lines can be thick and not slick whatsoever. Sometimes it can even feel childish, which makes it all the better to me because that's what the story is as well.
The artist was really smart to go with this style, because it only adds to it all as a whole. I have to admit, I didn't fully understand the ending.
It felt kinda random but I didn't hate it. I guess it makes sense because the story itself is quite weird, so the ending would be even weirder.
But it's not a bad ending I think, just All in all, very great read and I'd highly recommend it for anyone who wants to read a good all in one manga or graphic novel.
This edition is printed as a regular graphic novel so it's not a reverse reading order, which makes it easier for non-manga readers.
I personally would've liked the original format, but it is what it is. Sep 05, Michael Scott rated it it was amazing Shelves: thought , my-favs , graphic-novels.
Tekkon Kinkreet investigates the premise that true friendship can conquer all hardships. But this is no easy friendship and the hardships are not of a regular kind.
The two live in the streets of a concrete-cum-slum city, which they nevertheless lov Tekkon Kinkreet investigates the premise that true friendship can conquer all hardships.
The two live in the streets of a concrete-cum-slum city, which they nevertheless love and try to protect against change.
To do this, they stand off against the corporate world, the mob yakuza , the corrupt police, the local street-gangs, but also their own demons.
Tekkon Kinkreet combines masterfully an action-filled manga with thought-provoking elements of soul-searching, friendship, and the meaning of violence.
You will cry when White is hurt and laugh when a tree sprouts in the concrete jungle. You will cringe when Black loses his mind and relax when White is protected by the police.
And if you're like me you will love this book for what it is: a wonderful story about true friendship. Mar 26, Gabriel rated it really liked it.
After watching the movie, I picked up the manga with high hopes. Most of those hopes were shattered in the first few pages. The storytelling feels disjointed purposefully so, as the different threads of the story are all told at the same time, weaving the different plots through two or three panels on one page , leaving me with that much more work to piece together all the characters and their motivations.
While the movie fixed that problem while jumping around enough to match the manga it was After watching the movie, I picked up the manga with high hopes.
While the movie fixed that problem while jumping around enough to match the manga it was based off of , the movie left out many interesting and important parts that the manga filled in.
Parts like how ruthless White is from the start; how Black gets the wound from the Minotaur; what was happening while White was in custody of the police and how far down Black goes into his madness spiral.
All of these things are hinted at in the movie, but in the manga they are fully developed and make much more sense.
So in the end, the first half of the manga was told in a much better fashion in the movie, but the second half of the movie was done in a much more fully realized way in the manga.
I do recommend reading this if you truly enjoyed the movie since it makes the themes of the movie clearer and also helped me better appreciate the details of the movie, since many of them were taken straight from the manga.
This is one of those books, like Fight Club where the movie and the book are great complements to each other, each one being so close to the other that it is hard to tell which interpretation print or film is best suited to the story.
Apr 29, Machteld rated it it was amazing Shelves: owned-comics , manga. It took me a few pages, but I absolutely loved it. Violent, but heartbreaking.
Aug 28, Mayank Agarwal rated it it was ok Shelves: manga. I was expecting a lot from it being the most popular of Taiyo Mastsumoto's work but disappointed.
As with all his works, he experiments with Art. It's unique and ugly. Not to my liking. By the time I took to it, the manga was over. The story about the two kids having polar personalities living in the crime-filled town seems meaningless in the beginning but as you start Volume 3 it starts making sense.
As soon as I really started to enjoy the writing in Volume 3 things got confusing for me with the identity of the Minotaur.
Feb 20, Trevor rated it it was amazing Shelves: manga. Matsumoto Taiyo's work enacts a beguiling poetic of violence. This manga, initially serialized in Shogakukan's Big Comic Spirits, has never before been printed in one volume and we are lucky to finally see it.
Kuro and Shiro Japanese for Black and White veer from roof to roof and from surreal, bloody encounters to those strangely endearing; it's best though when these collide into something new and powerful.
Frenetic and breath-taking, Tekkon Kinkreet is what proved to me that manga can be som Matsumoto Taiyo's work enacts a beguiling poetic of violence.
Frenetic and breath-taking, Tekkon Kinkreet is what proved to me that manga can be something far more than big eyes and giant robots, and graphically demonstrates the very best that manga has to offer.
Jan 14, Marissa rated it really liked it Shelves: comix. I think it's weird I had never heard of this before I found it at the comic book store, when it's been around long enough and popular enough for there to actually be a movie made of it, which I'd also never heard of before.
I am either boring and old or seriously not up on my manga at all these days. Anyway, the real star here has got to be the totally unique, dynamic art style which reminds me of the energy of the art in the original Tank Girl filtered through a cleaner, Japanese lens.
The stor I think it's weird I had never heard of this before I found it at the comic book store, when it's been around long enough and popular enough for there to actually be a movie made of it, which I'd also never heard of before.
The story is no slouch either, full of colorful characters and with a plot that has a decidedly cinematic quality to it.
Overall I really enjoyed it and can't wait to see the movie. Jan 21, Nnedi rated it it was amazing. I love the style of art. The violence is disturbing and simultaneously unrealistic and realistic.
Finally read this unique artwork, years after falling in love with the animated movie. I thought maybe the lack of ambient music and vivid colors would be very different from the atmosphere of the movie, but I was wrong, this is perfect in its original version.
The drawings are fascinating, mastered at an impressive level, and this author really has talent to instill life and emotions to his characters.
It is as dark and tortured and realistic while dream-like than his other book I read, but here Finally read this unique artwork, years after falling in love with the animated movie.
It is as dark and tortured and realistic while dream-like than his other book I read, but here the kids bring with them some innocence that transcends everything else.
I deeply loved this story. Apr 22, Alienne rated it it was amazing Shelves: favorites , manga. Tekkon is a great combination of interesting story and terrific characters.
Taiyo Matsumoto immerses you in the world of Treasure Town, and the book is unexpectedly good at getting emotional responses out of you. I couldn't put this one down.
Jan 07, Peter rated it it was amazing Shelves: comics. Reading this was a learning experience. A truly visionary work.
His only purpose is to protect White. May 03, Brandon rated it it was amazing Shelves: sublime , comfy , bildungsroman , mango-comix , slice-of-life , bizarro , avant-garde , brutality.
Legitimately hard to read when I'm so used to translated manga in its proper direction. Interestingly, the flow of the paneling isn't exactly ruined, but there are many parts that make it hard to tell whether the book was completely "flipped" or otherwise did "Boys will be boys.
Interestingly, the flow of the paneling isn't exactly ruined, but there are many parts that make it hard to tell whether the book was completely "flipped" or otherwise did the cut-rearrange-paste thing to simulate original panel order.
I guess I'll have to flip through a Japanese copy, but I don't feel like doing so, and I already own this American left-to-right version, so fuck it.
I view Michael Arias's anime film as one of the greatest works in the anime medium tied with Satoshi Kon's Paprika from the same year, actually.
I don't know why, but it took a long while to get to this manga. The film came out in , I probably didn't see it until , I bought the DVD in , watched it a few more times since, and watched Yuasa's Ping Pong show adapted from another Matsumoto manga in , whereupon I realized retroactively making me feel stupid that Tekkonkinkreet was by the same guy behind Ping Pong, having felt something "familiar" about the art direction of Yuasa's anime, distinct as it was from his previous work.
Anyway, I watched Ping Pong because I was able to see a Yuasa film in theaters Night Is Short, Walk On Girl , and the 20th anniversary of Perfect Blue a week or so later, rewatching Paprika when I got home from Perfect Blue, and so I had this idea to revisit this other masterpiece, Arias's film, from the intersection between the glory of Ping Pong and Paprika.
And so I bought the manga, and just had it sitting on my floor somewhere in a stack of other shit for like eight months Those familiar with the Ping Pong anime should except "rough"-looking artwork.
Those familiar with the Tekkonkinkreet film may be somewhat surprised to see the differences between Matsumoto's original and Arias's adaptation; namely, the linework is much thinner and cleaner in the film, and the colors well, plainly, there -is- color are more vibrant than the "sketch"-y black-and-white of the manga, perhaps "apt" because of the names of our heroes.
This is the thing: Taiyou Matsumoto's art is kinda-sorta "bad. Attack on Titan, ditto. Personally, I love it because it feels more "genuine," "sincere," what-have-you.
One's ability to not only respect Matsumoto's art, but to love and "vibe with" it are key to enjoying this manga on a level deeper than just appreciation for its narrative an idea that may easily be dismissed by choosing the film instead.
It's been a few years since I've last seen the film I plan to re-watch it soon, now that I've finally read the manga , so I can't quite recall every detail from the plot, and thus cannot tell if there is really anything here that is not in the adaptation.
My guess would be that Arias and company did well to fit everything from here into there. As a result, the question would be whether one prefers the manga or the film, which would ultimately fall to the distinction between Matsumoto's "direction" versus that of Arias.
I like the film largely because it is kinda-sorta nostalgic for me by now, on top of being a great work of cinema-level animation.
The manga is likewise a great manga, but most emotional beats in the text seem to actually hit me through the lens of my recollection of the film-adaptation counterparts, and it is generally difficult for me to divorce this manga experience from my several engagements with the film.
I think I'd have to re-read this over and over, equaling if not surpassing my film-view count, in order to further appreciate this manga, essentially bludgeoning myself with it until I become too intimately entangled with the manga to ever be able to say I do not love it this is generally how I act with music, for example, keeping CDs in my car for months at a time to kinda-sorta "force" myself to like the albums better.
When I experience new Art, my primary aim is to find something "unique" about the work, something that gives a reason for its existence.
For Arias's film, it would be the idiosyncratic artstyle of Matsumoto's manga as filtered into the colorful world of a big-budget anime film, with animation and direction seemingly "better" than most other anime as if the quality is tied to the director's Western origin, being an Outsider from the common anime industry, and thus not "used to" the corner-cutting common to many anime.
And of course you have the soundtrack by Plaid. For Matsumoto's original manga, the difference would be its greatness -as a manga-, which I would say is largely indebted to its "alternative" feel, leaning perhaps more to a Jhonen Vasquez look than Daniel Clowes, actually kinda really resembling Charles Burns's Black Hole a little bit.
Historically, "manga" was a cartoonish artform see: Astro Boy, Kimba , which spun-off the more "adult" form of "gekiga" Black Jack, Buddha, to continue the Tezuka examples.
Over time, "manga" started seeing more quasi-realistic proportions, and you had guys like Go Nagai blending "manga" with "gekiga" to the point that "gekiga" stopped being "a thing" and "manga" just evolved to not be so kiddy-looking.
If HxH and Girls' Last Tour are some of my favorite manga because their artists can draw real beauty under the thin veil of wonky art, the same must be said of Matsumoto as well, only with the aforementioned "catch" that I'm just too used to Arias's film to give ultimate credit to the source material here.
Which is definitely unfortunate, but, again, the only thing I can do is keep reading and re-reading this until I love it more. So, anyway, to get into the "meat" of the manga, this is largely the story of Black's will, and how his desire to protect White may cause White's own life to go to shit.
There is an assumption that Black and White are literal fraternal brothers, but their past remains largely untouched, aside from the basic idea that they live together in an abandoned car, and they know The Rat and the cop guy.
Regardless of blood relation, Black feels responsible for White's life. Unfortunately for White and we see this through the cops' eyes , Black leads a life of violence, jumping from rooftops to mug people, living on his earnings through his brutality.
White is involved in the violence insofar as he follows Black, and must therefore beat people up lest he be beat up himself. Black makes a name for himself, people see White with Black, people seek out White to use him as a hostage to get to Black.
And of course we catch wind of "The Minotaur," a psychic manifestation of Black's bloodlust, an imaginary entity that seems to take over Black's body when pushed to the brink of consciousness, an avatar of Black's drive to protect White which ironically believes itself to be a god of violence that threatens to overwrite the love for White in Black's mind, quelled as The Minotaur eventually is by Black's brotherly love.
I think between this and like Madoka Magica: Rebellion I just have a thing for Japanese media that shows an Individual's egoistic focus transforming itself into a quasi-"evil" body of its own, and then writing about it like these extreme cases of libertarian egoism are "good things" despite their parallels to like Satan and shit.
And I as do more-or-less believe Prometheus and Lucifer alike are heroic icons of Selfhood, so too do I respect The Minotaur that haunts Black.
The caveat, I guess, would be that Black actually manages to "control" The Minotaur through his more-selfless love of White, kinda-sorta absorbing The Minotaur back into himself, taming its power, not unlike e.
Black Hanekawa or the Tyrannical Tiger in NISIOISIN's Monogatari Series light novels, being another example of like reappropriating one's angst-monster as a battery or something.
And, anyway, it ends with something like a happy ending, which is good because I was sitting over here not able to remember if White died and I'm reading this like "oh fuck" because The Minotaur is beating the shit out of everyone and I'm struggling to remember what it was exactly that made Black cool his jets.
Good shit. Dec 31, Rory Wilding rated it it was amazing. This largely comes down to being the first anime feature to be directed by a non-Japanese director, who is willing to stay true to the source material, which itself was such a departure to the general market of manga.
Taking place in the fictional city of Treasure Town, the story centres on a pair of orphaned street kids — the tough, canny Kuro Black and the childish, innocent White, together known as the Cats — as they deal with Yakuza attempting to take over Treasure Town.
If you look at the manga-ka's background, in which he visited France, where the comics by Moebius and Enki Bilal were a major influence on Matsumoto.
Considering that the character designs are sketchy at best as the anatomy can be loose, the not-so-polished presentation is not an issue and that comes down to the setting that the characters inhabit.
There may be Japanese ethnicity and iconography, but there is a diversity in the design of Treasure Town that feels like an extravagant toy-box where the two central boys dominate it as a violent playground.
With the diverse nature of Treasure Town, Matsumoto combines multiple genres from childlike wonder where the kids fly like superheroes, to a Yakuza crime narrative about competing for the control of the town.
Another character in the spotlight, is the Yakuza gang Kimura, who starts off as a minor antagonist, only for him to screw up in his criminal occupation and struggling to find purpose in a criminal underworld that changing as is the town in front of his eyes.
As dark and surreal as the story goes, especially in the later stages, Tekkonkinkreet has a positive outcome about how it feels to be a child, whether through excitement and even heartbreak.
Nov 06, Smith rated it it was amazing. I saw the parts of the movie but didn't know what was happening at the moment.
I loved the style of the setting and decided to watch it later. I picked up the book first, however, and the art tempted me to put it back down again.
I was inclined to overcome it after reading a few random phrases from the manga that I liked. Crazy Credits.
Alternate Versions. Rate This. R 1h 51min Animation , Action , Adventure 2 May France. Yakuza try to take over and clear it for new development.
Director: Michael Arias as Maikeru Ariasu. Available on Amazon. Added to Watchlist. From metacritic. Sundance Stars in Unforgettable Early Roles.
Celebrate Black History Month. Movies Watched - Movies to watch with Adam. Share this Rating Title: Tekkonkinkreet 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Show HTML View more styles. Edit Cast Cast overview, first billed only: Kazunari Ninomiya Sawada voice Min Tanaka Jitcha voice Tomomichi Nishimura Fujimura voice Mugihito Banira voice Kazuko Kurosawa Asa voice as Yukiko Tamaki Mayumi Yamaguchi Edit Storyline In Treasure Town, life can be both peaceful and violent.
Edit Did You Know? Goofs In the scene where Black gives money to "grandpa" the yin-yang symbol changes from white on top, black on top and then again white on top.
Quotes Shiro : [ opening lines ] Paper money is bigger than metal money. Nine comes after eight. And Spring comes after winter, right, Black?
Luster concluded: " Tekkonkinkreet is a mighty achievement that should be inspirational to artists and just plain absorbing to anyone else.
Aoki was less enthusiastic about Matsumoto's artwork, and wrote that his dreamlike vision of a Japanese city "chaotically" defies the laws of perspective, and it is like "Las Vegas on acid".
Nonetheless, she affirmed that the main appeal of the series is its story and "how it touches the heart"; "two orphans become symbols of a struggle between opposing opposites: innocence and corruption, hope and cynicism, imagination versus reality".
Kai-Ming Cha of Publishers Weekly , ranked Tekkon Kinkreet: Black and White first on the "Top 10 Manga for ". Chris Beveridge, writing in Mania , declared: "While it may not be what anime fans have come to expect for a traditional film, the end result is something that while predictable is surprisingly engaging.
The manga won the Eisner Award for "Best U. Edition of International Material—Japan". From Wikipedia, the free encyclopedia.
Japanese manga series. Coming-of-age   Surreal fantasy   Urban fantasy . Eiko Tanaka Eiichi Kamagata Masao Teshima Fumio Ueda. Publishers Weekly.
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